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Mereworth Castle in Kent was used as the home of Sir James Bond, which is blown up at the start of the film. The production proved to be rather troubled, with five different directors helming different segments of the film and with stunt co-ordinator Richard Talmadge co-directing the final sequence.
Val Guest was given the responsibility of splicing the various "chapters" together, and was offered the unique title of "Co-ordinating Director" but declined, claiming the chaotic plot would not reflect well on him if he were so credited.
His extra credit was labelled "Additional Sequences" instead. Part of the behind-the-scenes drama of this film's production concerned the filming of the segments involving Peter Sellers.
Screenwriter Wolf Mankowitz declared that Sellers felt intimidated by Orson Welles to the extent that, except for a couple of shots, neither was in the studio simultaneously.
Other versions of the legend depict the drama stemming from Sellers being slighted, in favour of Welles, by Princess Margaret whom Sellers knew during her visit to the set.
Welles also insisted on performing magic tricks as Le Chiffre, and the director obliged. Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".
Director Joseph McGrath , a personal friend of Sellers, was punched by the actor when he complained about Sellers' behavior on the set.
Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.
This is illustrated in somewhat fictionalised form in the film The Life and Death of Peter Sellers , based on the biography by Roger Lewis , who has claimed that Sellers kept re-writing and improvising scenes to make them play seriously.
This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.
Jean-Paul Belmondo and George Raft received major billing , even though both actors appear only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate " merde!
At the Intercon science fiction convention held in Slough in , David Prowse commented on his part in this film, apparently his big-screen debut.
He claimed that he was originally asked to play "Super Pooh", a giant Winnie-the-Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence.
This idea, as with many others in the film's script, was rapidly dropped, and Prowse was re-cast as a Frankenstein -type Monster for the closing scenes.
The final sequence was principally directed by former actor and stuntman Richard Talmadge. The story of Casino Royale is told in an episodic format. Val Guest oversaw the assembly of the sections, although he turned down the credit of "co-ordinating director".
Sellers left the production before all his scenes were shot, which is why his character, Tremble, is so abruptly captured in the film.
Whether Sellers was fired or simply walked off is unclear. Given that he often went absent for days at a time and was involved in conflicts with Welles, either explanation is plausible.
The framing device of a beginning and ending with David Niven was invented to salvage the footage. He chose to use the original Bond and Vesper as linking characters to tie the story together.
In the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes. In later versions, this cardboard cutout was replaced by footage of Sellers in highland dress, inserted by "trick photography".
Signs of missing footage from the Sellers segments are evident at various points. Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted.
Out-takes of Sellers were also used for Tremble's dream sequence pretending to play the piano on Ursula Andress ' torso , in the finale - blowing out the candles whilst in highland dress - and at the end of the film when all the various "James Bond doubles" are together.
In the kidnap sequence, Tremble's death is also very abruptly inserted; it consists of pre-existing footage of Tremble being rescued by Vesper, followed by a later-filmed shot of her abruptly deciding to shoot him, followed by a freeze-frame over some of the previous footage of her surrounded by bodies noticeably a zoom-in on the previous shot.
As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school which turns out to be under Harrods , of which the training area was the lowest level was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school.
So many sequences from the film were removed, that several well-known actors never appeared in the final cut, including Ian Hendry as , the agent whose body is briefly seen being disposed of by Vesper , Mona Washbourne and Arthur Mullard.
For the music, Feldman decided to bring Burt Bacharach , who had done the score for his previous production What's New Pussycat?
Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.
Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. The title theme was Alpert's second number one on the Easy Listening chart where it spent two weeks at the top in June and peaked at number 27 on the Billboard Hot It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk.
It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale. Bacharach would later rework two tracks of the score into songs: A clarinet melody would later be featured in a Cracker Jack commercial.
As an in-joke, a brief snippet of John Barry 's song " Born Free " is used in the film. The original album cover art was done by Robert McGinnis , based on the film poster and the original stereo vinyl release of the soundtrack Colgems COSO That record has been regarded by some music critics as the finest-sounding LP of all time, and is still highly sought after by audiophiles.
The soundtrack album became famous among audio purists for the excellence of its recording. It then became a standard "audiophile test" record for decades to come, especially the vocal performance by Dusty Springfield on "The Look of Love.
The film soundtrack has since been released by other companies in different configurations including complete score releases.
The highly regarded master tapes were damaged, however, during a s remastering so none of the subsequent re-releases are considered to be as fine as the original LP release.
However, during filming the project ran into several problems and the shoot ran months over schedule, with the costs also running well over.
When the film was finally completed it had doubled its original budget. The problems postponed the launch until April Casino Royale had its world premiere in London's Odeon Leicester Square on 13 April , breaking many opening records in the theatre's history.
No advance press screenings of Casino Royale were held, leading reviews to only appear after the premiere. Writing in , Danny Peary noted, "It's hard to believe that in we actually waited in anticipation for this so-called James Bond spoof.
It was a disappointment then; it's a curio today, but just as hard to get through. In fact, I recommend you see it on television when it's in a two-hour including commercials slot.
Then you won't expect it to make any sense. A few recent reviewers have been more impressed by the film. Andrea LeVasseur, in the AllMovie review, called it "the original ultimate spy spoof", and opined that the "nearly impossible to follow" plot made it "a satire to the highest degree".
Further describing it as a "hideous, zany disaster" LeVasseur concluded that it was "a psychedelic, absurd masterpiece". It is the anti-auteur work of all time, a film shaped by the very zeitgeist it took on.
In his review of the film, Leonard Maltin remarked, "Money, money everywhere, but [the] film is terribly uneven — sometimes funny, often not.
The website's critical consensus states: Fox has since been responsible for the debut of the Casino Royale on Blu-ray disc in Danjaq LLC , Eon's holding company, is shown as one of its present copyright owners.
From Wikipedia, the free encyclopedia. This article is about the film. For the film, see Casino Royale film. For other uses, see Casino Royale.
Die Another Day Tomorrow Never Dies The World Is Not Enough The Bourne Identity The Bourne Supremacy The Bourne Ultimatum Edit Cast Cast overview, first billed only: James Bond Eva Green Vesper Lynd Mads Mikkelsen Le Chiffre Judi Dench Felix Leiter Giancarlo Giannini Rene Mathis Caterina Murino Edit Storyline James Bond goes on his first ever mission as a The bitch is dead.
Edit Details Official Sites: Black and White opening sequence Color. Edit Did You Know? Trivia This film replaces the high-stakes casino game of Baccarat Chemin de Fer from the novel, with the modern high-stakes card game of Texas Hold 'Em.
Interestingly, in this game, a hand with a pair of eights is called an "Octopussy", the name of a James Bond short story and movie.
A hand with a pair of eights is seen in the movie. Goofs When Bond arrives in Nassau he is driving on the right of the road as in America , when in Nassau they drive on the left side on the road as in England.
Oddly enough, my character's feelings mirror my own. Crazy Credits The opening credits are played over imagery of playing cards and other gambling-type imagery.
This sequence is unusual compared to other Bond films in that it doesn't focus on silhouettes of nude women. To this end, the untold number of writers and directors involved have opted to take the everything-but-the-kitchen-sink approach to storytelling, mixed with a cut-and-paste style of editing.
It is obvious that no one gave the slightest thought to creating a genuine spy film and instead approached the film with a devil-may-care attitude.
As a satire of Bond films, CASINO is adequate; as a satire of the then trendy-swinging-cool-hip-with-it-now youth films of the era, it succeeds beautifully.
Basically you have a whole bunch of big name stars -- past their prime, but still with box office credibility -- ridiculing the very youth market that was squeezing them off the theatre marquees.
Yet, the film has no malice; it is as bright and breezy as a screwball comedy with just a touch of British absurdity. It is amazing that a film that is so overblown, over produced and over budgeted can still be so light and airy.
Despite a chaotic recipe, the film has a lot of really great ingredients. And you have one of the best soundtrack albums ever, including Herb Alpert's title track and Dusty Springfield's sexy, sultry rendition of the Bacharach and David classic "The Look of Love.
And, to some extend, the film gets Bond right. What's not to love? Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!
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